Massive overhaul

Hello lovely blog readers!  I do apologize for being gone for so long, but I was set on finishing the rest of Jim Butcher's Dresden Files before continuing with the blog, so that no one spoiled anything else.  Hint: If someone mentions a book or book series you may have read, ask them where they are in the story/series before giving away major plot points that will happen down the road.

This goes for everything, not just books.  Not everyone gets to experience and learn everything at the same pace, and it's important to encourage learning and reading, without giving things away that could make a potential learner or reader decide against finishing something they have started, or believing in something that you don't.

So, I hope to update with all the books I've read since my last post, and will try to keep up to date with what I'm reading from here on out.


If you like this review, and the writing style of this quirky reviewer, please consider visiting and liking my Facebook author page: Lizzy March.

Review of Alyson Grauer's On the Isle of Sound and Wonder

Genre: Steampunk/Fiction

Pages: 272

Synposis: All but alone, wild but resourceful Mira dreams of life beyond the shores of her mystical island. Isolated by her father, a dark sorcerer bent on vengeance, she has only his servants, an air spirit and a misshapen cast-off, to share her company. When Dante conjures a terrible storm to wash ashore his mortal enemies, Mira must chose between her loyalties to her father and what she knows is right. Sail the skies and soar the seas surrounding this Isle of Sound and Wonder as Alyson Grauer masterfully retells William Shakespeare’s classic, The Tempest, bedecked in the trappings of Steampunk.

Review:
Right off the bat the book does something that Shakespeare's play does not. This book contains steampunk, motive, and in depth characterization unseen in Shakespeare's own play. The characters all have wants and needs, but they are not the shallow things that are usually wished for, such as a relationship, or power. Each character has their own story and is slowly introduced to the reader with just enough information for the reader to want to know what happens to them. Almost every character has some sort of empowerment, a motive that makes them want to stand up for themselves and what they believe in. No longer is Miranda the poor innocent victim that Shakespeare made her out to be, nor Ferdinand the lovesick fool. The name changes are odd, but easy enough to connect to the original story. The story would have been capable of completely standing alone without the illusion of Shakespeare, had the names been more original. The names that are chosen and used, Mira, Ferran, Dante, are much more modern, yet eccentric, which allows for a seamless transition from traditional Shakespeare to steampunk.

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